Alma Tadema
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8 January 1836 – 25 June 1912. Most renowned painters.

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llya Yefimovich Repin
Zaporozhian Cossacks (sketch) (mk09)

ID: 21607

llya Yefimovich Repin Zaporozhian Cossacks (sketch) (mk09)
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llya Yefimovich Repin Zaporozhian Cossacks (sketch) (mk09)


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llya Yefimovich Repin

1844-1930  Related Paintings of llya Yefimovich Repin :. | The Reply of the Zaporozhian Cossacks to Sultan of Turkey | The Reply of the Zaporozhian Cossacks to Sultan of Turkey | Portrait of actress Maria Fyodorovna Andreyeva | Seeing off a recruit | Portrait of Sofia Mikhailovna Dragomirova |
Related Artists:
Herring, John F. Sr.
British, 1795-1865
Pieter de Molijn
(6 April 1595 - 23 March 1661) was a Dutch Golden Age painter and engraver born in England. He was baptized in the Dutch Reformed Austin Friars church in London. Little is known of his early training, but he probably traveled to Italy and in 1616 he became a member of the Haarlem Guild of St. Luke. He was a contemporary of Jacob Pinas. He married Geertuyt Huygen de Bie. During the years 1616-1627 he lived in Delft where he remarried after his first wife died. In the marriage notice, his wife Geertruyt de Roovere is from Amsterdam and he is from Delft. De Molijn was possibly a student of Esaias van de Velde. He taught several students, including Gerard ter Borch, Jan Coelenbier, Allart van Everdingen, Christian de Hulst, Anthony Molijn, Jan Nose and Jan Wils.De Molijn was known for his landscapes, but he also made genre pieces, marine scenes, portraits, and architectural pieces. This type of oeuvre is typical for the Italian-bound artists of his day, who paid their way as a jack-of-all-trades. De Molijn died in Haarlem on 23 March 1661.
Cornelis Dusart
1660-1704 Dutch Dutch painter, draughtsman and printmaker. He was the son of the organist at St Bavo in Haarlem and one of the last pupils of Adriaen van Ostade. He became a member of the Haarlem Guild of St Luke on 10 January 1679 and served as its dean in 1692. Dated pictures by Dusart have survived from almost every year between 1679 and 1702. Two of his earliest pictures of peasants relied heavily on compositions by van Ostade: Mother and Child (1679; Dresden, Gemeldegal. Alte Meister) and Woman Selling Milk (1679; sold Amsterdam, Muller, 16 Oct 1928, lot 9; the original drawing by van Ostade is in Paris, Fond. Custodia, Inst. Neer., see Schnackenburg, 1981, no. 132).






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